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Shure SCL2 Sound Isolating Earphones are the first step into the world of sound isolation. They are attractive, comfortable and incredibly affordable. An excellent introduction into premium audio, the SCL2 features single dynamic microdrivers for full sonic range and resonant bass. Great for use in noisy environments such as bus stations, airports, or live stages where critical listening is important. Also, use around the house while mowing your lawn or vacuuming. Sound Isolating Earphones - Shure has been at the forefront of providing critically accurate and acclaimed listening for over 10 years. The legendary E Series have grown from a key accessory component of professional PSM® systems to a highly acclaimed independent product category and sought-after attachment for both live performance and personal listening applications. New SCL Sound Isolating™ Earphone models (SCL2, SCL3, SCL4, SCL5) use Shure's award-winning earphone technology, come in new graphic packaging, have updated accessories, and are available in more colors. All SCL models deliver professional caliber sound for live performance environments and will work with personal music players.
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Technical Details
- Frequency Range: 22Hz 17.5kHz^Sensitivity: 105dB SPL/mW (@ 1kHz)^Impedance: 16 Ohms (@ 1kHz) ^Weight: 1oz (30g)^Input Connector: 1/8 inch (3.5mm)See more technical details
By Miguel A. Seoane
The Scl2 are a great product and I recommend them to any musician seeking comfort and quality in thier headphones.
The Lows are just right, they are not blowing out your brains but they are also not to weak in where you are not able to hear the bass at all.
The highs are extremely clear and allow you to listen to exactly what is given out.
I'm really glad I bought this product.
The only con is the carry case is a bit small, but other than that the Scl2 is the best investment you can put into good quality affordable headphones.
By J. Mccarthy (Long Island, NY)
I just got a Creative Labs MX MP3/video player. The stock headphones were horrible. So I deciced to try the SCL2 based on the reviews here. I can honestly say these work great! Wow, the sound blows the doors off the stock headphones.
The Good:
The large assortment of sleeves that come with it makes finding the best fit easy. The seal on these really keeps out the background noises. But you do have to get it right. It took me a while to pick out the right sleeve to fit my ear.
The mid and high response on these are excellent. I had tried some high end over the ear headphones ($200+), and I can say that the mids and highs on these are comparable. Not quite as good but definitely in the same league.
The Bad:
The complaints about the bass response has some merit. Don't get me wrong, the bass response is very good. For most music styles theres plenty of bass from the SCL2! It's way better than the stock headphones, and probably on par with many comparably priced headphones. If you aren't looking for lots of bass this won't matter to you. If you want some hip hop with loads of bass then find another headphone.
The only other gripe is that these are a bit of a pain to take in and out of your ear. I use these on the daily commute so this doesn't really matter. Not to mention I would probably have the same issue with any in-ear headphone! But I was trying to use them in the office. I'll be getting a set of over the ear headphones for the office.
By Renato Wiltgen (SP Brazil)
I used to wear ear plugs during long flights but now I use this phones to watch a movie, listen some music and when I decid to sleep just turn the TV off and with these earphones I hear almost no noise inside the plane. Excellent choice for the price.
By M. H. Hughes
Note that this is not an earphone for those rock fans who want nosebleed bass and don't much care about anything else. The Sony MDR-EX51 and EX71 are better for this and much less expensive. The SCL and older E series were designed as stage monitors to let musicians hear what is going out on the sound system and not just the drummer behind them. As a result, they emphasize accurate reproduction of the sound stream, not the creation of an artificially hyped up sound. The SCL-2 does not reproduce extreme bass or extreme treble but it is smooth and solid from something like 60 Hz to 12 KHz. Not that many CD's really go past this and MP3 encoding does not reproduce much beyond 12 Khz anyway. You need quality-6 Ogg/Vorbis or FLAC encoding to get the high frequencies and few portable players support these higher quality Codecs (Cowon has one of the few product lines which does). While certainly not "audiophile" equipment, the SCL-2 is probably as good as any phones I have heard in the $100 class (including full-sized headphones) and they are a good match for most better-quality portable players. They are in a different league entirely from the junk "earbuds" which come with them. They have excellent sound isolation which is wonderful for use on airplanes and around traffic. This allows you to listen at lower volume levels which is good for your ears.
The SCL-2 is designed to have the wires run over the tops of your ears and down behind them. This was probably to conceal the wire on stage but it works well for taking the weight of the wire off of the earpiece which allows it to stay in place better if you are active. It takes a little practice to figure out how to insert them. If you wear glasses, the wire can be abraded by the glasses frames, especially if they are metal. The wiring on my SCL-2 failed after about 18 months of very active use as a result of this. The wires (or the glasses frames) need to be coated or wrapped with something to protect them in this situation.
I replaced the SCL-2 with a pair of SCL-3 phones. These have extended frequency range in both bass and treble although they still do not cover extreme frequencies. They have a more open and transparent sound overall. They are better than the SCL-2 but whether they are $100 better will be a matter of opinion and depend on your equipment. They are too good for most portable players although they are well worth while with a Cowon U3 using Q6 Ogg/Vorbis encoding. They are designed to let the wire hang straight down or go over the ears. They don't stay in place as well with the straight fall of the wire but you do not have the glasses problem.
By photocitizen.com (San Diego, California, USA)
The Shure SCL2 earphones sound great. The trick is to choose the best fit from the multitude of included sleeves. They're pretty easy to change, so try a few and see which set gives you the best fit. I've been using the black rubber sleeves.
The other trick is to make sure they are inserted properly into your ear. I insert them and then twist them in so that the cord is at the top. This gives me excellent bass. If they are not inserted properly, you won't hear much bass. It takes a bit of practice, but once you know how to use them, you'll be happy with the results.
I've used them on a noisy airplane and found that they block out even crying babies - and this is at normal listening volume, not cranked all the way up. Of course, you won't be able to hear the flight attendants either, so be sure to remove at least one of them when you're trying to talk to someone.
As far as comfort goes, I've used them for a couple of hours at at time and, although I can certainly feel them after a while, I wouldn't call them uncomfortable. Still, it feels good to remove them for a while. I think this would be true of any earbuds - and most don't give you the selection of sleeves that this Shure model does.
The little round zippered case is nice too. You won't have room to carry all of the different sleeves, but the earbuds with the installed sleeves of your choice fit nicely and the stiffness of the case protects them from damage. I just wish the case was some other color instead of black. If you drop the case on the floor of an airliner, it's hard to find. This is the voice of experience speaking.
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